Synova

 Call me Mary Sue. Writers have all heard of a Mary Sue.  In truth, these days even non-writers have probably heard of a Mary Sue. In short, a Mary Sue is a character who doesn't have to try very hard.  She is talented and loved by all without having paid her dues.  Mary Sue might be an orphan, but she's secretly a princess.  She's unusual and beautiful. She seems to inspire love and loyalty for no reason. She never faces the possibility of failure when it comes to the stakes of the story. And it's a fine line. One of my favorite novels, Perilous Waif by E. William Brown, seems to be a deliberate send up of the idea of a Mary Sue, complete with the violet eyes, the orphan condition, the inexplicable love and loyalty, and the secret princess. Everything. And yet, the character works because she makes mistakes that have weight and you know that she may fail at the stakes of the story at any point.  So the definition of a Mary Sue is not just being overpowered...

  Some things sound so obviously good that they don't need to be examined.  One of those things is the idea of Representation in fiction; movies, television or books.  Entertainment where some people are conspicuously absent would seem to be an obvious problem, right?  A person doesn't have to be "woke" or any sort of feminist to occasionally watch an old television show and realize (for example) that all the scientists and astronauts in an old movie are men. It's as glaring an anachronism these days as watching a show where everyone is chain smoking cigarettes. Entertainment should reflect the diverse nature of real life and society because, in the end, fiction has to be even more real than real life.  If nothing else, it makes that entertainment more interesting to introduce characters with a variety of backgrounds and challenges. And so we're told that diverse fiction is BETTER fiction. The way that this rather obvious truth is often framed, often discussed...