Synova

  The saying goes like this, It's not what you *don't* know that is going to trip you up, it's what you know that isn't so. I believe that the first lady might possibly have been feigning helplessness, just a little bit.  She already had concept art and visuals, so I think she'll be okay.   But someone might truly be so new that they know nothing about science fiction as a genre or how it works in the world.  That person, the truly "new" person, might not realize that the second lady, no matter how assured she seems to be that she's passing on vital Wisdom, is wrong. So lets unwrap her backpack a little (to steal a metaphor). Stories about space pirates are Space Opera, generally.  "Soft" science in science fiction usually refers to sociology or psychology, social "science".  A story about space pirates might be "soft".  But that's picking nits.  The first big boo-boo is this: "not as popular *because* it is women...

 Call me Mary Sue. Writers have all heard of a Mary Sue.  In truth, these days even non-writers have probably heard of a Mary Sue. In short, a Mary Sue is a character who doesn't have to try very hard.  She is talented and loved by all without having paid her dues.  Mary Sue might be an orphan, but she's secretly a princess.  She's unusual and beautiful. She seems to inspire love and loyalty for no reason. She never faces the possibility of failure when it comes to the stakes of the story. And it's a fine line. One of my favorite novels, Perilous Waif by E. William Brown, seems to be a deliberate send up of the idea of a Mary Sue, complete with the violet eyes, the orphan condition, the inexplicable love and loyalty, and the secret princess. Everything. And yet, the character works because she makes mistakes that have weight and you know that she may fail at the stakes of the story at any point.  So the definition of a Mary Sue is not just being overpowered...