Skip to main content

Arrogance

Someone once said (no idea who) that a writer had to have a bit of arrogance to succeed, and it seemed so obviously true to me. When I mention this to other writers they get a bit upset, and that always surprises me, but I suppose arrogant isn't considered very nice.

Yet without a touch of arrogance how am I supposed to think that what I'm writing is either important enough or interesting enough that other people should read it instead of something else better?

And when I look at those writers, published or (often enough) unpublished who actually churn stuff out... quite often the ones *producing* are, in my opinion, rather arrogant.

Where is the self-doubt that I struggle with? It sometimes makes me a little angry. How dare they be so full of themselves that they think they can succeed at this?

I think of one of the men in a script-writing group I went to a couple of times. He was a nice, helpful, guy. But he was arrogant when it came to his writing. He really was. It didn't seem to ever occur to him that his terribly important social-issue stories and utterly fabulous ideas (he actually asked us to not tell anyone and absolutely not take a certain idea ourselves... which was essentially an "in someone else's shoes" concept applied to a prominent international political issue) seemed... trite. Well, they seemed trite to me because I disagreed with him on social issues and politics. The others didn't seem to think they were trite. They were also *arrogant* ideas in that he presumed to preach on social issues that he had no experience with whatsoever. Normally I reject the idea that a person can only write about their own situation but when the whole *point* of the story is a racial statement?

Anyhow, that's not the point I meant to make. My point was that this guy very well may sell something, may become a selling scriptwriter and make lots of money, and the reason that he will isn't because his ideas are so great. The reason he will most likely be successful is because he *believes* his ideas are so great. And he *writes* them.

It's just a touch of arrogance. Just a touch.

But I'm convinced that it's essential. And I'm trying to talk myself into a similar state. Just enough full of myself to believe, to really believe, that the world *needs* my stories, that the world will be a poorer place if I don't do the work, that I'm talented enough and perceptive enough that it's simply a matter of *doing* it.

Comments

Ymarsakar said…
Neo wrote much concerning the writing fixation. One part elevated self-esteem, other part dramatic mania.

Also the difference I see between wisdom and experience is that wisdom can come from not just your own experience but somebody else's. Thus even if you do not have experience, you can still write as if you did, so long as you have wisdom. But if you don't have wisdom and you don't have experience... then it's hot air time.

Popular posts from this blog

Tyranny.gov vs Tyranny.com

Compulsion is Compulsion, no matter who does it.  This is Brilliant Theft is Theft, no matter who does it. Freedom of Association has no room in it for *private* action   that takes that away Freedom of Association. If I have a business and have voluntary associations such that I choose to serve some people and to not serve others, that might make me a jerk and it might lose me business, it might make me smart and it might gain me business, but it's got to be my choice.  If I would normally serve the current disliked minority in my shop except for the fact that if I'm SEEN to serve them by the wrong people I'll have a private campaign against me as those people do everything possible to ruin me by preventing me from doing business physically or by attacking my customers or suppliers, then I am NOT free to make those choices. Does it really make a difference to losing my CHOICE to voluntarily associate if there's a law that says I may not serve "those people" o...

How Suzanne Brockman lost me.

I just finished reading the latest paperback from Suzanne Brockmann. _Dark of Night_. I'm disappointed and that's a sad thing because I've absolutely loved her series of romances about SEAL team 16 and the Troubleshooters. Aparently I'm not alone. My complaint isn't the same as most of the others... I'm great with Sophia and Dave. I even am okay with Tracey being people smart. She and Decker did seem to come out of left field. I thought Decker was great even if I thought his overwhelming conflict was pretty lame. What I didn't care for was the politics. I read for escapism, for studly dangerous men acting like men, for sex, and adventure with guns, where our military are the good guys and the SEALs are supermen and military contractor's are heroes, too. (I wonder if Ms. Brockmann realizes that the Troubleshooters ARE Blackwater?) I do not read sexy action adventure to be presented with a *cause*. It's small things but they don...

How "Representation" In Fiction Becomes Toxic

  Some things sound so obviously good that they don't need to be examined.  One of those things is the idea of Representation in fiction; movies, television or books.  Entertainment where some people are conspicuously absent would seem to be an obvious problem, right?  A person doesn't have to be "woke" or any sort of feminist to occasionally watch an old television show and realize (for example) that all the scientists and astronauts in an old movie are men. It's as glaring an anachronism these days as watching a show where everyone is chain smoking cigarettes. Entertainment should reflect the diverse nature of real life and society because, in the end, fiction has to be even more real than real life.  If nothing else, it makes that entertainment more interesting to introduce characters with a variety of backgrounds and challenges. And so we're told that diverse fiction is BETTER fiction. The way that this rather obvious truth is often framed, often discussed...